AWA Lounge New Regular Program by Iroirona Jujika! 'Visual-kei no, Ohanashi ga Shitai no.' Starts June 4th (Thu) at 21:00!

AWA Co., Ltd. (HQ: Minato-ku, Tokyo; CEO: Koki Togashi), which operates the subscription-based music streaming service 'AWA,' will launch a new regular program titled 'Visual-kei no, Ohanashi ga Shitai no.' featuring the 90s visual-kei revival band 'Iroirona Jujika' on the 'AWA Lounge,' an online space accessible for free by anyone, on Thursday, June 4, 2026, at 21:00.

<Program Overview>

'Visual-kei no, Ohanashi ga Shitai no.' is a talk event where members of Iroirona Jujika and their associates talk about their favorite visual-kei music at their own pace. This event has been developed into a regular live-streamed radio program.

It will be a one-hour show where they talk freely about everything from maniacal visual-kei topics to the latest pro-baseball news and secret money-saving tips for homemakers.

The program will also feature giveaway campaigns unique to the AWA Lounge.

Stay tuned for Iroirona Jujika's first live regular program!

Send your requests and messages for the program via X using the hashtag '#ヴィ話がしたいの'.

AWA Lounge is free for everyone to join, and if you download the AWA app in advance, you can enjoy features such as song requests and interaction with the artists.

'Visual-kei no, Ohanashi ga Shitai no.'

Initial broadcast date: Thursday, June 4, 2026, 21:00–22:00

*Dates are subject to change.

▼ Participation URL:

https://mf.awa.fm/open_kanari_tanbi_260604

Iroirona Jujika

A 90s visual-kei revival band born on April Fool's Day in 2020 through a project produced by Tinkerbell Hatsuno—who claims to have drunk all the water in a famous aquarium—to create an artist who is 'half-lie, half-truth.'

Initially intended as a one-time April Fool's project, the band continued due to overwhelming response.

They have attracted attention from various parts of the entertainment industry for their strange worldview, which overlays transgressive lyrics on orthodox visual-kei songs, and their surprisingly serious strategies, such as allowing live photo shoots, to introduce new culture to the visual-kei scene.